Vengeance of Orion Read online

  The cause of the collapse of Jericho's walls is more speculative, but I believe it is consistent with the archaeological evidence and the record from the Book of Joshua.

  In this novel, I have it that while the Hebrews were slaves in Egypt, pharaoh commanded every female infant to be killed. This contradicts the Biblical telling of the murder of every male baby. Biblical scholars and historians agree that the Egyptians apparently carried out the slaughter as a means of controlling the Hebrews' population growth; the Jewish slaves were out-populating the native Egyptians. To my mind, the Egyptians were intelligent enough to realize that killing male children would not alter the Jewish birthrate; killing female children would. Thus the slaughter of the baby girls. I assume that later generations of Jewish scribes were so thoroughly male-oriented that they changed the story to agree with their concepts of male importance and dominance.

  These speculations are perfectly in accord with the traditional science-fiction axiom that the author is free to invent anything, so long as no one can prove him wrong. The Egyptians slaughtered baby girls, and Troy and Jericho were both toppled by Hittite engineers.

  The most fantastic elements in the novel are, of course, Orion himself and the pantheon of advanced human time-travelers who present themselves as gods and goddesses to the ancients.

  Does this mean that the novel is fantasy, rather than science fiction? To be science fiction, a story must deal fairly with the known laws of science, and reasonable extrapolations thereof.

  Time travel is clearly impossible, almost. Physicists have speculated that black holes representing collapsed stars or even collapsed galaxies must have gravitational fields about them that are so intense they warp space-time. Space and time are bent so drastically that modern physics cannot predict what happens under such circumstances. Such black holes may represent, then, natural time machines. What nature can do, the human mind can eventually duplicate or even improve upon. Time machines are clearly impossible today, but they may not always be so, especially if you allow plenty of millennia for them to be developed.

  Thus the novel is, to my way of thinking, science fiction. Again, the axiom is that an author can use anything that cannot be proven to be wrong. Time travel is reasonable material for a science fiction novelist to use in his speculations. Even more fascinating are the consequences of time travel.

  If one grants the possibility of time travel, then the need for a supernatural being, a god, as the cause of the universe—and of humankind—goes out the window. Consider a very advanced human civilization, thousands of years in our future. Their knowledge is so great that they discover the means to travel through time; past and future are like different currents in a vast ocean, to them. They could go back to an earlier eon on Earth and create the human race, their own ancestors. In fact, they would have to.

  To those earlier people the creators would seem like gods. It is clear that the ancient gods were not the beneficent moralists that we believe our modern gods to be. In fact, to any rational mind, the concept of a god who is perfectly just and perfectly merciful is not only illogical, it is decidedly out of tune with the observable facts of the world around us.

  Now then—if the "gods" are as human as you and I but possess enormously greater powers than we do, and if power truly does, corrupt the human spirit, imagine how wildly malevolent an all-powerful god must be!

  The result of such ratiocinations is the novel you have just finished reading, and its predecessor, Orion.

  There will be more.

  Ben Bova

  West Hartford, Connecticut